A brand new ceramic statue that cost £90,000 has been the subject of much ridicule in Cornwall for resembling a kebab.
Now over 37 feet high, the ‘Earth Goddess’ in St Austell town center is taller than two male giraffes on top of each other.
It is considered the world’s tallest ceramic sculpture and celebrates the heritage of Chinese clay.
But locals relentlessly mocked the artwork, calling it an “thorn in the side” after its official unveiling on Saturday.
Some described it as an “atrocity” and called it “looking like a kebab.”
Others believed the statue was a waste of money that could have been spent on much-needed urban improvements, such as street access for the disabled and the elderly.
Even Steve Double, the Conservative MP for St Austell and Newquay, admitted he’s not a fan.
In a statement on Facebook, he confirms that no tax money has been spent on the colorful structure.
The politician added: ‘In light of the number of people commenting, I would like to set the record straight on the recent installation of the ‘Earth Goddess’ statue in Aylmer Square, St Austell.
‘First of all I would like to state that I was not involved in the decision on the design or location of this statue.
“I can also confirm that no local tax money has been used for this project.
‘I appreciate that art is subjective. I appreciate that there may be people who like this image, but clearly there are many who don’t.
“Personally, if I were involved in choosing something that reflects St Austell’s identity, heritage and history, I think it’s fair to say I wouldn’t have chosen this design.”
Mr Double explained that the funding itself is part of a much larger award for the then Department of Communities and Local Government’s St Austell Bay Economic Forum in 2018.
‘Earth Goddess’ was created by internationally renowned artist Sandy Brown, who has been making ceramics for over 50 years.
“She is a spiritual being, representing our love for the Earth and our love for clay,” she said in a statement quoted by ITV.
“I hope she celebrates the city’s unique history and represents our collective and eternal roots with the environment, nature and Mother Earth.”
Alex Murdin, the project’s curator, emphasized that there’s no doubt that “it’s a different idea.”
He added: ‘No public art is without controversy and this has had its share.
“But I think people are coming to appreciate it as a great symbol of St Austell’s future.”
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