How ‘Only Kills in the Building’ production design told characters’ stories – The Hollywood Reporter

How ‘Only Kills in the Building’ production design told characters’ stories – The Hollywood Reporter

Hulu’s Comedy Antics Only murders in the building follows a trio of amateur detectives who live in the fictional Arconia, a classic New York apartment building, where they are surrounded by suspects. Each unit offers the opportunity to reveal backstories and crucial character details.

Charles-Haden Savage (Steve Martin), a semi-retired actor, bought his unit on the 14th floor in the 90s during a hit crime series. Production designer Curt Beech notes that this set “got a newer kitchen and some renovated spaces. It made him look a lot smarter with his money. We gave him art showing that he’s a smart collector.” [with] a good eye.”

Charles’ kitchen includes “an amazing orange wallpaper that became a pop of color in its place,” says production designer Curt Beech. “In addition, four album covers from a series called Persuasive Percussion from the 1960s, designed by Josef Albers

Thanks to Craig Blankenhorn/Hulu

Martin Short’s Oliver Putnam, a hapless Broadway director, lives in a department that’s all about theatricality; young artist Mabel Mora, portrayed by Selena Gomez, is a ‘work in progress’ as she is renovating her aunt’s unit while she lives there.

“All of his worst dramatic features can be seen in his apartment,” says Beech of Oliver’s apartment. “We started [with] the stage.”

Craig Blankenhorn/Hulu

The sets also provide character development for their suspects. Howard’s (Michael Cyril Creighton) residence “is meant to look like it’s been taken over by” [his] cat and passes alone [his] cat,” says Beech, referring to a huge cat portrait in the living room. “What we were aiming for in his apartment was that it was his mother’s place. He added a few things here and there – primarily for the cat.” Sting, who plays himself, lives in a penthouse whose rock star details consist of road tour boxes and vintage guitar cases. “We have the XOXO neon [sign] in red, that’s a nod to [The Police’s] “Roxanne”: ‘You don’t have to turn on the red light,’ says Beech.

For Tim Kono’s house, who dies in the pilot, Beech says, “It had to be a bit mysterious. We deliberately gave him less character in his apartment.” The important Hardy Boys books on the shelves had to be visible.

“The visual metaphor is that [Mabel’s] a work in progress,” Beech says of her apartment. “By the end of the first season, she has drawn this beautiful mural of all the characters we have come in contact with throughout the season.”

Thanks to Barbara Nitke/Hulu

The Belnord on the Upper West Side, designed in 1908 with an arch and courtyard, provides the external sites for the Arconia.

Thanks to Craig Blankenhorn/Hulu

The similar layouts in the fictional Arconia (computer rendering below) allowed the apartments to stand out with their own style – each fitting the idiosyncrasies of the residents.

Thanks to Hulu

Beech says the show posters became a ‘game’ between set decorator Rich Murray and [creators] John Hoffman and Steve Martin. “They sent really crazy names of plays back and forth to each other. I think my favorite is Newark! Newark!”

Thanks to Hulu

This story first appeared in a standalone July issue of The Hollywood Reporter magazine.